What’s on Your New Year’s Eve Playlist?

Looking for something fun to fill your New Year’s Eve playlist? How about something from the Postmodern Jukebox?

sbpmj-logo

What’s a Postmodern Jukebox, you say.

According to The Huffington Post, Scott Bradlee & Postmodern Jukebox broke out in 2013.  Scott Bradlee is the creator of the viral phenomenon Postmodern Jukebox, a diverse group of musicians who have turned Ke$ha into country, given Justin Bieber a bit of swing and most recently garnered praise — and more than 4.3 million views, as of this writing — for replacing Miley Cyrus’ twerking with some classic doo wop.”

Still confused? Here’s Scott Bradlee & PMJ on TED.

I stumbled upon the Postmodern Jukebox while scrolling through Google Play for something new, which used to take me hours flipping through record bins at local Sam Goody’s or Sound of Market record stores. I was immediately hooked.

The song featured on Google Play that month was a Jazz cover of Meghan Trainor’s “All About That Bass” featuring Kate Davis on lead vocals and bass.

Fun, right?

Of course the first thing I did was create PMJ radio stations on Pandora and Spotify, which is how I first heard their 1950’s ‘sock hop’ style cover of Magic’s “Rude” featuring hyper animated vocalist, Von Smith, with Robyn Adele Anderson and Jen Kipley singing backups. There’s a stunning moment at 2:27 when Von cuts loose. He hits and holds an impressive high note. It’s a little touch that makes this cover worth it.

If you listen closely, you might notice that Von Smith’s voice is reminiscent of 80s Star Search winner, Sam Harris, with whom Von sang a duet in 2010.

Led by Scott Bradlee, the Postmodern Jukebox is a rotating collection of musicians and singers who produce covers of pop songs in various styles of music; such as jazz, swing, doo-wop, and gospel.

One of the things I like about PMJ is their creativity. Their ragtime cover of Carly Rae Jepsen’s “Call Me Maybe”, with Robyn Adele Anderson’s camp vocals, is incredibly fun.

Turning Jason Derulo & Snoop Dogg’s “Wiggle” into a 1920s ‘Broadway’ number takes guts.  But taking the Guns & Roses classic, “Sweet Child O’ Mine” and rearranging it into New Orleans jazz style Mardis Gras anthem was a stroke of genius! Having the remarkable Miche Braden belt out the lyrics doesn’t hurt.

Guns and who?

Speaking of New Orleans, PMJ took Sam Smith’s “I’m Not The Only One” and turned it inside out. Sink your teeth into this vintage New Orleans jazz cover featuring Casey Abrams.

I don’t know what I was doing on 2013 that I didn’t take notice. Though, it’s probably better that I found PMJ after they’ve accumulated a decent catalog of music. I’d hate to think I might have written them off after hearing the Miley Cyrus cover.

I’ll leave you with the PMJ cover of Daft Punk’s “Get Lucky”, in the style of a vintage Irish Tenor, featuring Mitchell Jarvis and Robyn Adele Anderson. I love the underlying campiness of this version. It doesn’t hurt that it’s also pretty good.

Wishing everyone a Happy New Year. Hope 2015 brings peace, love, happiness and plenty of chances to “get lucky”! 😉


 

Bonus Track!

Scott Bradlee and the Postmodern Jukebox covers Macklemore’s “Thrift Shop” in a “Great Gatsby” ragtime style, featuring Robyn Adele Anderson and, as always, Mr Bradlee on keyboards.

For more Scott Bradlee & PMJ, check out ScottBradleeLovesYa on YouTube.

Cheers!

Advertisements

Summer Detour

Gallery

This gallery contains 22 photos.

So, over the week of July 4th we took a drive through New Jersey in what seems to be a new tradition. — Though, putting it in writing will probably put an end to it.   We chose the hottest … Continue reading

Accidental Art

I was going through an image folder today, clearing out the duplicates and deleting the mistakes when I stumbled upon this colorful little gem.

SAMSUNG DIGITAL CAMERA

This is what happens when you accidentally hit the shutter while your camera is set for long exposures.

If you look closely you can probably identify the objects in the picture, but I think it’s more beautiful if you don’t know.

Interpretation

Remember this song? I maintain that it is not about sailing on the open water at all.

Bear with me…

Take this verse, for instance.

It’s not far to Never Never Land

No reason to pretend
And if the wind is right you can find the joy

Of innocence again

The canvas can do miracles

Just you wait and see

It’s not far to Never Never Land

1- According to Wikipedia

Neverland (also spelled Never Land or expanded as Never Never Land) is a fictional place featured in the works of J. M. Barrie and those based on them. It is the dwelling place of Peter Pan, Tinker Bell, the Lost Boys and others. Although not all people in Neverland cease to age, its best known resident famously refused to grow up, and it is often used as a metaphor for eternal childhood (and childishness), immortality, and escapism.

The operative word here is “escapism” – as in losing oneself in dreams. …or art.

The canvas can do miracles

2- They don’t use canvas as sails. They use lighter, man made fabrics, like nylon or polyester. They DO however, use canvas for art.

Of course, I could be wrong. 🙂

The 2013 Philadelphia Fringe Festival Sept. 5 – 22

“LEO”

Produced by Y2D Productions in association with Chamäleon Productions

“The audience gets gravity-defying spectacle and the wizard behind the curtain at the same time.”

Claudia La Rocco, The New York Times

In this gleeful combination of circus and theater arts an ordinary man’s world spirals into a gravity-defying performance of acrobatic talent, whimsy, and optical illusions. From confined spaces spring limitless worlds as video animations playfully interact with the live perfomer. All ages.

Tickets and more info »

Sorry, Olivia Dunham and Walter Bishop probably wont be there. :\

Speak Softly And Carry A Big… um …sword?


A view from the back of the George Gordon Meade Memorial Statue in front of the E. Barrett Prettyman U.S. Courthouse of Washington DC

(sculpted by Philadelphia born artist, Charles Grafly)

photo by ADignorantium