Bette Midler “Hurricane” #ThrowbackThursday

Bette Midler “Hurricane”

(song written by Bette Midler and Randy Kerber)

 

…from the 1979 album Thighs and Whispers.

Bette Midler T & W

Bette’s fifth album is probably her most underrated. It’s got some well known tunes like “Big Noise From Winnetka”,Married Men“ and a decent cover of Johnny Bristol’s “Hang on in There Baby” but also includes some really good gems like “Cradle Days” and her moving cover of James Taylor’s “Millworker”.

Bette’s voice really shines on this album.


I always thought Hurricane was “hit worthy”. I used to play it on ‘Classic Disco Sundays’ when I was a fill-in DJ way back in the 90s.


Why wasn’t it a hit?

Rumor has it that, during the release party for one of the single off of her new album, an exhausted Bette Midler was verbally accosted by a radio DJ who didn’t like the new song. Apparently, he was waving the 45 record in her face, so Bette snatched it out of his hand, threw it on the floor, smashed it with her heel, and told him, “Well then don’t play it!” The humiliated and angry DJ vowed to never play another Bette Midler song on his station again. That was that.


Bette’s new tour “Divine Intervention” begins Friday.  ...and of course I have tickets! Yay! 😀

bette tickets98

Unfortunately, Love isn’t a fan. So he’s staying home. On the bright side, I get to take a really good friend who, if it’s at all possible, will probably have a better time than me. 😛

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Happy Birthday Bette Midler!

In honor of Bette Midler’s birthday, I thought I’d share a few of my favorite Bette songs. You won’t find Wind  Beneath My Wings or The Rose on this list. They’re both great tunes, but we’ve all heard them a million times. Instead, I’d like to share some of the lesser known, but equally good tracks.

I didn’t really pay attention to Bette until I heard a radio interview sometime in 1980. I was a lost fifteen year old. I had few friends because I had no social skills. During this interview she recited the following quote…

“What’s underneath the mask isn’t as important as the mask that you choose to wear. That’s the true indication of your imagination and your spirit.”

That quote gave me the courage to be the person I wanted to be. I started making new friends, I got my first part-time, after school job, and a year later I came out. Surprise! 😉

My unofficial introduction to Bette Midler was her 1972 remake of Bobby Freeman’s “Do You Want To Dance”, which appeared on her debut album, “The Divine Miss M”. The slower tempo gives it a more sultry feel than the original. It wasn’t until I was much older that I understood the deeper sexual themes of Bette’s version. It remains a favorite.

The third cut on Bette’s debut album, which also includes a beautiful cover of the Ethel Waters standard “Am I Blue”, is a percussion heavy, 1960s style  rock/soul tune called “Daytime Hustler”. It’s the style of song you’d expect to hear from an artist like Tina Turner. With lyrics like, “Fancy money doesn’t buy my love. Flashy Cadillacs won’t make me f❇k. I’ve been hustled by the best of them, and you ain’t nothing but a crazy, crazy man…”  It’s a fun song.

“Skylark”, from Bette’s 1973 self titled second album, is probably the most under-appreciated interpretation of the 1941 Johnny Mercer/ Hoagy Carmichael American pop classic. According to wikipedia, The yearning expressed in the lyrics is Mercer’s longing for Judy Garland, with whom Mercer had an affair.

On the other end of the spectrum from Skylark, is “Breaking up somebody’s home”, also from Bette’s second album. This is one of those little known gems that got buried in the past. It’s bluesy, raw, and more than a little bit sexy. You probably won’t hear this song at a wedding reception. …at least I hope not.

Bette’s fifth album, Thighs and Whispers (1979) contains her disco hits “Big Noise From Winnetka” and “Married Men” and a decent cover of Johnny Bristol’s “Hang on in There Baby”. Although “My Knight in Black Leather” did well in gay clubs, it never became anything more than a camp classic.

The real gems from her fifth album were “Cradle Days” and her beautiful, sad cover of James Taylor’s “Millworker”

“Cradle days” is an aching plea to first love. We’ve all been there. Bette’s voice is powerful in this emotional rock ballad. It’s my favorite tune on that album.

From Bette’s little known fourth album, the one that nobody bought, called Broken Blossom, came “Empty Bed Blues“, “Paradise“, and a really cool duet with Tom Waits called “I Never Talk To Strangers.”

The economy of 1970s was pretty much as it is today. Bette’s aptly named Songs For The New Depression contains a campy cover of “Marahuana” — originally sung by Gertrude Michael in the pre-code “Murder at the Vanities” (1934)

Bette was sick during the filming of Divine Madness, You can hear it in her voice. But the cameras, lighting and sound equipment were already paid for and the auditorium was booked. Canceling production would have cost millions. So they pumped her up with Vitamin C and sent her on stage. Yet, in my opinion, the Divine Madness performance of “Stay With Me Baby” is the best.

Happy Birthday Bette!

The 40 Year Search!

Ever have a tune stuck in the back of your mind that just won’t go away, but you can’t play it because you don’t know the name? So it sits there, and every once in a while rears it’s taunting head.

Carla Morrison – Eres Tú (letra)

I discovered the above tune while searching for a 1973 song, whose title I could not remember.

I searched for what seemed like forever. I tried every variant of “Et Eschtule” and “Edest Tu” and everything in between.

I even tried humming the mystery song to friends, but that only confused them more.

Part of the problem was that I thought it was an Italian song. I was eight years old when the song came out. The only language other than English that I had heard was Italian, so naturally I thought the song was Italian.

Finding this Carla Morrison song was a big break for me. Of course! Eres Tu! Seeing it in print made so much sense.

So I typed Eres Tu into the YouTube search bar and Lo and Behold…

“Eres Tu” by Mocedades

The sad part is, now that I’m hearing Mocedades again, I kinda prefer the Carla Morrison cut better. 🙂

Interpretation

Remember this song? I maintain that it is not about sailing on the open water at all.

Bear with me…

Take this verse, for instance.

It’s not far to Never Never Land

No reason to pretend
And if the wind is right you can find the joy

Of innocence again

The canvas can do miracles

Just you wait and see

It’s not far to Never Never Land

1- According to Wikipedia

Neverland (also spelled Never Land or expanded as Never Never Land) is a fictional place featured in the works of J. M. Barrie and those based on them. It is the dwelling place of Peter Pan, Tinker Bell, the Lost Boys and others. Although not all people in Neverland cease to age, its best known resident famously refused to grow up, and it is often used as a metaphor for eternal childhood (and childishness), immortality, and escapism.

The operative word here is “escapism” – as in losing oneself in dreams. …or art.

The canvas can do miracles

2- They don’t use canvas as sails. They use lighter, man made fabrics, like nylon or polyester. They DO however, use canvas for art.

Of course, I could be wrong. 🙂