What’s on Your New Year’s Eve Playlist?

Looking for something fun to fill your New Year’s Eve playlist? How about something from the Postmodern Jukebox?

What’s a Postmodern Jukebox, you say.

According to The Huffington Post, Scott Bradlee & Postmodern Jukebox broke out in 2013.  “Scott Bradlee is the creator of the viral phenomenon Postmodern Jukebox, a diverse group of musicians who have turned Ke$ha into country, given Justin Bieber a bit of swing and most recently garnered praise — and more than 4.3 million views, as of this writing — for replacing Miley Cyrus’ twerking with some classic doo wop.” – William Goodman

Still confused? Here’s Scott Bradlee & PMJ on TED.

I stumbled upon the Postmodern Jukebox while scrolling through Google Play for something new, which used to take me hours flipping through record bins at local Sam Goody’s or Sound of Market record stores. I was immediately hooked.

The song featured on Google Play that month was a Jazz cover of Meghan Trainor’s “All About That Bass” featuring Kate Davis on lead vocals and bass.

Fun, right?

Of course the first thing I did was create PMJ radio stations on Pandora and Spotify, which is how I first heard their 1950’s ‘sock hop’ style cover of Magic’s “Rude” featuring hyper animated vocalist, Von Smith, with Robyn Adele Anderson and Jen Kipley singing backups. There’s a stunning moment at 2:27 when Von cuts loose. He hits and holds an impressive high note. It’s a little touch that makes this cover worth it.

If you listen closely, you might notice that Von Smith’s voice is reminiscent of 80s Star Search winner, Sam Harris, with whom Von sang a duet in 2010.

Led by Scott Bradlee, the Postmodern Jukebox is a rotating collection of musicians and singers who produce covers of pop songs in various styles of music; such as jazz, swing, doo-wop, and gospel.

One of the things I like about PMJ is their creativity. Their ragtime cover of Carly Rae Jepsen’s “Call Me Maybe”, with Robyn Adele Anderson’s camp vocals, is incredibly fun.

Turning Jason Derulo & Snoop Dogg’s “Wiggle” into a 1920s ‘Broadway’ number takes guts.  But taking the Guns & Roses classic, “Sweet Child O’ Mine” and rearranging it into New Orleans jazz style Mardis Gras anthem was a stroke of genius! Having the remarkable Miche Braden belt out the lyrics doesn’t hurt.

Guns and who?

Speaking of New Orleans, PMJ took Sam Smith’s “I’m Not The Only One” and turned it inside out. Sink your teeth into this vintage New Orleans jazz cover featuring Casey Abrams.

I don’t know what I was doing on 2013 that I didn’t take notice. Though, it’s probably better that I found PMJ after they’ve accumulated a decent catalog of music. I’d hate to think I might have written them off after hearing the Miley Cyrus cover.

I’ll leave you with the PMJ cover of Daft Punk’s “Get Lucky”, in the style of a vintage Irish Tenor, featuring Mitchell Jarvis and Robyn Adele Anderson. I love the underlying campiness of this version. It doesn’t hurt that it’s also pretty good.

Wishing everyone a Happy New Year. Hope 2015 brings peace, love, happiness and plenty of chances to “get lucky”! 😉

---

 

Bonus Track!

Scott Bradlee and the Postmodern Jukebox covers Macklemore’s “Thrift Shop” in a “Great Gatsby” ragtime style, featuring Robyn Adele Anderson and, as always, Mr Bradlee on keyboards.

For more Scott Bradlee & PMJ, check out ScottBradleeLovesYa on YouTube.

Cheers!

‘Tis The Season for Warm Fuzzies! …and a couple of Capra Classics.

Tis the season for family, friends, and lots of warm fuzzies. But like almost everyone else I know, I haven’t been feeling very warm or fuzzy lately. So, when the warm glow of the season starts to sputter and dim, I do what any self respecting sentimental cinephile does. I turn to classic Hollywood.

When it comes to classic Hollywood, no one did warm and fuzzy quite like Frank Capra.

Ask anyone for a list of their favorite holiday movies and somewhere on the list you’ll probably find Capra’s It’s a Wonderful Life.

In case you’ve been living under a rock for most of your life, It’s a Wonderful Life is the 1946 Frank Capra classic, starring James Stewart, Donna Reed, Thomas Mitchell, Lionel Barrymore, and a cast of Hollywood mainstays. It’s explained by IMDB as “An angel (Clarence, played by Henry Travers) helps a compassionate but despairingly frustrated businessman, George Bailey (Stewart), by showing what life would have been like if he never existed.”

While watching ‘Wonderful Life’ for the umteen-hundredth time the other night, I couldn’t help a despairing feeling that bank CEOs apparently haven’t changed since 1946. Lionel Barrymore’s Mr Potter could very well be the CEO of Citi Group or Goldman Sachs.

‘Wonderful Life’ is an excellent movie with a superb cast but I always feel a little sad for George Bailey. He dreams of someday seeing the world but spends his entire life being the responsible citizen, putting the needs and wants of others ahead of himself. Indeed, if uncle Billy hadn’t been so careless George might not have considered such desperate measures. The extreme nature of George’s crisis is probably what makes the ending so effective. It’s why we root for George Bailey. He’s our ‘everyman’ who fights the system and wins.

---

Trivia: Thomas Mitchell (Wonderful Life’s Uncle Billy) plays Judge Henry Blake in Pocketful of Miracles

---

On the other end of the spectrum is Capra’s Pocketful of Miracles (1961) which, in my humble opinion, because of it’s bright view of the world and almost absurd optimism, is a better representation of the spirit of the season.

In Miracles, gangster Dave the Dude (Glenn Ford) and his girlfriend Queenie (Hope Lange) try to turn pan handler Apple Annie (Bette Davis) into a society dame when they learn that Annie’s daughter (Ann-Margret) is coming to visit from Spain with her fiance, a royal. The storyline is convoluted and far-fetched but it hits all the right bells and whistles.

What appeals to me about Pocketful of Miracles is it’s charm. Unlike the seriousness of It’s a Wonderful Life, Pocketful of Miracles is utter nonsense. It’s how we wish the real world worked. It’s a sickeningly sweet saccharine saga full of hope and improbable expectations and I love every single minute of it!

So, whether you’re a George Bailey or an Apple Annie, I want to wish everyone a Happy and Joyous Holiday!

May 2015 bring Peace, Love, Happiness, and Good Health to all.

The Wanamaker…er…Macy’s Christmas Light Show

It’s that time of year again…

Walk into Macy’s at 13th and Market Streets (formerly John Wanamaker’s department store) from November 28 through December 31 and you’ll see crowds of people standing in the grand court staring upward at the now famous Christmas Light Show.

Yes, that’s Julie Andrews you hear.

I remember seeing the original show for the first time as a child. I could not have been more than 3 or 4 years old. The happy music, blinking lights and dancing water fountain seemed like magic to me. My grandmother then took me a few blocks east to Gimbel’s department store for a walk through the Christmas village and ultimately, a visit with Santa Claus.

Christmas 1967 (I was two)

I thought it would be interesting to compare the Wanamaker’s and Macy’s productions. While I like the updated version, I do miss the dancing water fountains.

The original John Wanamaker’s Christmas Light Show (archival recording 1983)

The Philadelphia John Wanamaker’s department store premiered their iconic Christmas Light Show in 1955. The show, a large music and light display several stories high, is viewable from several levels of the Philadelphia landmark. Its popularity as a holiday destination for tourists and locals alike ensured a continuous run, even after the building changed ownership from Wanamaker’s to Lord & Taylor, and now Macy’s. The show was narrated for decades by Philadelphia’s own John Facenda, locally known for reporting the news on radio and television, as well as nationally as the voice of NFL Films. Various announcers narrated the show between 1995 and 2005. Beginning in 2006, under Macy’s, Julie Andrews became the show’s narrator.

In 2007, the entire Christmas Light Show was completely modernized and rebuilt by Macy’s Parade Studio on new trusses with lighter materials and LED lighting. In 2008, a new and bigger Magic Christmas Tree with LED lights debuted. However, due to safety concerns and logistical issues, the dancing water fountains were retired and will not return.

---

 

John Wanamaker Christmas Show from the 1980’s.

---

---

 

The Updated Macy’s Christmas Light Show (2013)

“The updated holiday show, titled “Christmas Pageant of Lights,” features narration by the actress Julie Andrews” –  via hdampf007

According to Friends of the Wanamaker Organ at Macy’s website, the light show program is as follows…

Greg Sonsini has compiled a list below of music used in the Light Show. Help is requested in finding the artists of those works not yet identified. Please e-mail us at execdirec@wanamakerorgan.com if you can add details.

1. Opening fanfare during John Facenda’s/Julie Andrews’ introduction: Provenance unknown.
2. Selections from Tchaikovsky’s Nutcracker Suite-specifically “Overture,” “Waltz of the Flowers,” and “Closing Waltz,” played during the Nutcracker storyline. Album unknown.
3. “In The Clock Store” by Charles Orth (1893), which is played during the Clock segment.  The version used in the Light Show comes from an album titled “The Sound Of Musical Pictures” (1960).  It was arranged by Ralph Hermann and played by the Medallion Concert Band. Walt Disney adapted the piece for one of his Silly Symphonies in 1931. You may here it on YouTube here.
4. “Alpine Sleigh Ride” by Frank Chacksfield and his Orchestra, played during the Snowflake sequence.
5. “Rudolph the Red Nose Reindeer,” by the Ray Conniff Singers.
6. “Jingle Bell Rock” by Bobby Helms, later replaced by “The Rudi Bear Song” (part of a Teddy Bear promotion), played during the candy cane, toy soldier and toy drum segment.
7. “Parade of the Wooden Soldiers” by an unknown artist played during the Santa Express Train segment.
8. “Frosty the Snowman,” by the Ray Conniff Singers.
9. A snippet of “So Long, Farewell” from “The Sound of Music” movie soundtrack, played during the fading of the snowmen.
10. “O Tannenbaum” by the Hollywood Bowl Symphony Orchestra played during the final lighting of the entire board. This was replaced in 1988 by “Deck the Halls” by an artist that I have not been able to identify. The arrangement is by Carmen Dragon and has been adopted for the Wanamaker Organ (with grateful assistance from Mr. Dragon’s daughter) by Peter Richard Conte.

---

 

For more information, see the Friends of the Wanamaker Organ website.

You can find some interesting archival photos from Temple University

Also visit U Wish U NU

 

 

RIP Lauren Bacall

 

I just heard that Lauren Bacall died today at age 89

In my mind, Bogart has been waiting patiently since 1957 to reunite with the love of his life, so when Betty (Lauren) showed up in Heaven it must have looked something like this scene from Dark Passage (1947).

“Reality…What A Concept” Remembering Robin Williams

The news of Robin’s death was such a shock. I’m still having a difficult time believing that it’s true.

There are people who touch our lives in such profound, undefinable ways. Robin Williams was one of them. He made us laugh, but he also made us think. He made us question things while we were laughing at them.

“No matter what people tell you, words and ideas can change the world.” – Robin Williams

Like many Americans, I first saw Robin Williams in an episode of Happy Days called My Favorite Orkan. My six year old sister was madly in love with Henry Winkler’s Fonzie so we never missed an episode. So when Mork and Mindy debuted the following fall, it was naturally added to our viewing line up.

While my family was gathered around the tube watching the weekly adventures of Robin and Pam Dawber, my friends and I were memorizing the jokes form the “Reality…What a Concept” LP, a live recording of Robin’s 1978 Roxy performance.

Through the years, Robin Williams has brought us nothing but happiness. News of his death was a complete shock. I still can’t believe it.

“You’re only given a little spark of madness. You mustn’t lose it.” – Robin Williams

 Rest in peace, sir.

Things To Do In Philly When The Internet Goes Down.

You never really understand how much of your life is dependent upon the internet until it’s not there anymore.

For almost a month, my internet has been suffering drop outs and sluggish speeds. It’s been a nightmare for which I’ve been preparing a long vengeful blog post that, because of outlandish accusations and rough profanity, will probably never be published in it’s entirety.

We did find productive things to do around the house while the internet was down. Sunglasses are now required in the bathroom because the bathtub sparkles so brightly! 😎

In our downtime we caught a few good movies, some of which I share with you here.

I happened to catch a late night broadcast of Crime and Punishment (1935) starring Peter Lorre, on GetTV (one of the myriad broadcast movie channels that have been popping up lately.) I’ve never seen this early adaptation. Lorre is brilliant. Strangely enough, this version is not available on Netflix but it is available in it’s entirety on Youtube.

“The story goes that Peter Lorre wanted to star in the film version of the Dostoyevsky novel, but was certain that Columbia Pictures chieftain Harry Cohn would turn the project down. So Lorre hired a secretary to type up a synopsis of the story in words of one syllable then submitted this simplified resume to Cohn. Enthusiastic over the project, Cohn gave Lorre the go-ahead — but first he asked “Tell me —  has this book got a publisher?”” – Hal Erickson (Rovi)

Whether true or not, that rumor makes for good entertainment.

Here’s the movie, in it’s entirety. Bookmark it. Save it for when you’re looking for something good to watch.

Out of the Furnace (2013) stars Christian Bale, Woody Harrelson, Forest Whitaker and Casey Afleck (yes, THAT Afleck). When police stop looking for his missing veteran brother, Russell Baze takes matters into his own hands.

I don’t know what I was expecting, but clearly not anything as deep and thoughtful as this flick turned out to be. It’s slow to unfold but it’s good story telling. Woody Harrelson is creepy as hell.

While we’re on the subject of Christian Bale… If you haven’t seen American Hustle (2013), put it on your list. it’s a great piece of entertainment that’s loosely based on the FBI ABSCAM operation of the late 1970s and early 1980s. I don’t know why people love to hate this film so much. I enjoyed it. The clothes and the cars alone gave me flashbacks.

Warm Bodies (2013) A zombie saves a teenager. They fall in love and save the world. What’s not to love? Even the Romeo and Juliet references that get shamelessly thrown in your face didn’t manage to ruin the film for me. It’s cheesy, pop corn chomping fun.

The Call (2013) How can you go wrong with Halle Berry? A 911 operator gets a call from a kidnapped teen. This is a joyride movie! It had me shouting at the screen.

The 2014 Robocop reboot was a lot better than I had expected. It’s still silly and a bit of a stretch for suspension of disbelief, but it was good entertainment. Perhaps I’m just a little biased. I’ve been a huge fan of Gary Oldman since Rosencrantz and Guildenstern are Dead, one of my all time favorite films.

I started following Simon Pegg on twitter long before I learned of his incredible career as an actor/writer/comedian. Seriously, I had no idea. That was almost four years ago. Since then I’ve gotten all caught up. I’ve enjoyed him in everything from Shaun of the Dead to Hot Fuzz, The World’s End, Star Trek and everything in between. On Monday night we had the pleasure of watching A Fantastic Fear of Everything. It’s about a crime writer whose research has turned him into a paranoid mess. It’s a little strange but bizarrely funny. Pegg spends half of the movie in his underwear chasing his imagination. The running gag is incredibly funny.

Thankfully, our internet trouble has been dealt with. Everything is running smoothly. We sacrificed a goat and danced around in circles naked while singing the alphabet song backwards. That seemed to have appeased the internet gods. …for now. 😉

Bonus Material…

Everything Wrong With Robocop (1987) in 7 Minutes or Less. by CinemaSins

 And finally…

Simon Pegg rapping old school style in ‘A Fantastic Fear of Everything‘

Oh, fair warning. The following clip is probably not safe for work.

 

Summer Detour

This gallery contains 22 photos.

So, over the week of July 4th we took a drive through New Jersey in what seems to be a new tradition. — Though, putting it in writing will probably put an end to it.   We chose the hottest … Continue reading →

Glinda: The Passive Aggressive Witch

See Glinda’s vacant smile in this picture?

She’s smiling because she’s evil! Eeeevil I tell you!

Think I’m kidding?

If you recall, Glinda started the conflict by giving Dorothy the shoes that were Ms West’s only remembrance of her sister, who was so tragically killed by a falling house.

Imagine how you’d feel if the cops gave your dead sibling’s shoes to the person responsible for his or her death.

Glinda is a trouble maker. She interrupts a distraught Wicked Witch, who is trying to find out what the hell has happened to her sister, with the antagonistic, “Aren’t you forgetting the Ruby Slippers?”

Huh?

The Ruby Slippers magically appear on Dorothy’s feet.

The Wicked Witch pleads for the tokens of her sister’s memory.

The very defiant Glinda says, “There they are. And there they’ll stay!”

Meanwhile, you can see Dorothy’s terror. Clearly she does not want to get involved. …and she sure as hell doesn’t want those shoes! – well, maybe.

Glinda further stirs the pot when she commands the Wicked Witch, “Be gone! Before somebody drops a house on you.”

Somewhat unsettled by this, the Wicked Witch takes her leave, – but not before threatening Dorothy and her dog Toto with bodily harm.

Formulating a plan, Glinda says to Dorothy, “I’m afraid you’ve made a rather bad enemy of the Wicked Witch Of The West.”

 You just know Dorothy is thinking,  “Wait.  What?  NO! I do not want to be part of this!”

This is where I think Glinda, upon sending Dorothy off on a wild goose chase, sets her plan in motion.

It’s a shortcut to Emerald City.

In my warped mind, Glinda sets off in her bubble to the Emerald City in order to convince the Wizard to use Dorothy as a means to finally rid themselves of Wicked Witches. Why not? She already killed one witch. what’s another? That’s why she sent Dorothy to the Emerald City by way of the more scenic Yellow Brick Rd, instead of the more direct Red Brick Rd. Everyone in Oz knows Yellow Brick Road runs right past Ms West’s Castle! It’s one of the premier tourist attractions of Oz!

My conspiracy theory comes from one single moment at the end of the film when you realize that Dorothy has been played.

Glinda, with a big smile on her face, says to Dorothy, “You’ve always had the power to go back to Kansas.”

Are you kidding me?!

I just wanted Dorothy to look Glinda straight in the eye and say, “I. Killed. The. Wrong. Witch!”  I wanted Dorothy to beat the living daylight’s out of Glinda. …or maybe look around for another bucket of water. If it worked for one witch, maybe it would work on another.

Glinda, the “good” witch. Ha! I wanna smack that vacant smile right off that bitch’s face!

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

• Note: Portions of this post are excerpted from “What Happens In Oz”, published July 2011 by me. It’s a cautionary tale about the dangers of not paying attention to the things around you. Read the full story here.

Some Fun Facts about Friday the 13th

The guys at Good Mythical Morning have some fun with this high holy day of superstition.g

One Monkey Don’t Stop No Show

…or, How a 2:AM distraction became an obsession.

I have been in a foul mood all winter. It hasn’t helped that Mother Nature also seems to have been in a pissed off mood. Seriously. It’s almost May and we’re still dealing with temperatures as low as 30°F a few nights this week. Will someone please make Ma Nature a cup of espresso or something?

When I’m in a foul mood, I tend to stay away from people. It’s a lot better that way. Otherwise I wind up snapping at folks for no reason. It’s not pretty. Like so many others, when I’m in a bad mood I turn to music. What usually works for me is Pink Floyd’s The Wall (1979). For some reason, the Waters, Gilmore, Mason and Wright classic has a way with working out my aggression. It’s amazingly therapeutic. But I couldn’t seem to shake it this time. The winter was brutal. I still have a cold that just-won’t-go-away. On top of everything, cancer took three close friends within a two month period. It’s essentially why I haven’t been writing very much. Three funerals in such a short amount of time sends me right back to the early 90s, when everyone I knew was dying. I sat at my keyboard on more than one occasion to try to express the feeling of loss, but it was too overwhelming. I’d start a draft but then lose focus, which is what this post is about to do if I don’t guide it back to the point. 😉

On a mindless surf though YouTube, I stumbled onto Bette Midler’s cover of ‘One Monkey Don’t Stop No Show’ (Rose Marie McCoy, Charlie Singleton) It’s an old favorite. In this video, she’s performing it at the 1998 Billboard Awards.

It’s a fun song. Bette’s Studio version is better but, as with all of Bette’s live performances, there’s something about the attitude she projects on stage that brings a song to life. I guess it’s the same for most singers.

Because Bette Midler is a vocalist, she’s introduced me to many great artists. I’m always searching for the original singer of composer of any particular song she might have made popular. So of course I wanted to know the who, what, where, and maybe even the why of One Monkey Don’t Stop No Show. The earliest version that I was aware of is the one made famous by the truly wonderful Big Maybelle.

Truly, Big Maybelle doesn’t get the attention she deserves.

My appetite whetted, I wanted to know more. Who was this Rose Marie McCoy? Did she record a version of One Monkey?  So… I checked everyone’s favorite source of misinformation, Wikipedia!

According to the Wiki page, One Monkey Don’t Stop No Show was “recorded by Stick McGhee and His Buddies in 1950, credited to McGhee, released on an Atlantic Records in 1951″

Hmmm… It’s not at all like Big Mabelle’s version. It’s good in it’s own right, but where Big Maybelle’s classic is about a woman tellin’ her man, “Buh bye! Don’t let the door hit ya on your way out!”, Stick McGhee’s version is about making your way through life without letting things get in your way. The themes are similar, but… Now I was on a mission.

According to Wiki “…another version was recorded by Joe Tex in 1965. In 1966 it was covered by The Animals.”

Here’s Joe Tex…

…and here’s The Animals.

It’s hard to choose between the two. I can see the appeal of The Animals but I like the rawness of Joe Tex. The most glaring thing so far is that now there are three completely different versions of this song.

But wait, there’s more!

“In 1972 the all-girl group Honey Cone took its altogether different version to number five on the R&B singles chart” – Wiki 

Here is Honey Cone on the Sonny Bono Show

If those funky outfits aren’t enough, there’s a coked up DISCO version by Jessie Rogers. I’ll spare you. If you really want to hear it, you’ll have to click the link. I think it’s a little too peppy, If you ask me. 😐

So, what does the phrase “One monkey don’t stop no show” really mean? To me it’s fairly obvious. It’s another way of saying “Life will go on” or “This too, shall pass”. But could there be more? One could find himself deeply entangled within the interwebs, searching for a deeper meaning, but I gave it a go.

Curiosity killed the cat. …and kept this blogger up all night.

In their wordpress post, Yeah, But do you know what that song is actually about? #1 The guys at Old School Record Review put it perfectly. They wrote in part, ““one monkey don’t stop no show” is a perfect lyric for pop music because it shares so much in common with the music itself. It is ambiguous, emotional, catchy and supports introspection and interpretation.” They’re right, of course. Music is art and art is open to interpretation.

But what’s all this have to do with my pissy mood?

Haven’t you figured it out yet? Winter is over. We’re almost halfway through spring. Love and I are shopping for new plants for the tiny patch of concrete behind our tiny South Philly home.  With spring comes a new chapter. Hopefully a little brighter than the last, but it’s new. Life goes on.

PS: You really should navigate on over over to Old School Record Reviews and see what they’re up to. They did and excellent job exploring the meaning of One Monkey Don’t Stop No Show lyric. I would have abandoned it here had it not been so essential to the point I was trying to reach.

Bonus Track! Here’s Bette’s Studio version, just for fun. 🙂

.

EXTRA BONUS!

Pink Floyd The Wall (Full Album) 😀